التناص الديني ودلالته في رواية علي أحمد باكثير (سلّامة القس أنموذجا) RELIGIOUS INTERTEXTUALITY AND ITS SIGNIFICANCE IN THE NOVEL OF ALI AHMED BAKATHIR (SALLAMA-TAL-QASS AS A MODEL) Section Islamic Literature
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Abstract
Intertextuality is a modern rhetorical critical term and is a technique of contemporary literary expression and is termed differently by different researchers/scholars. It is the integration of discourses and the interaction and overlap of texts with each other. Intertextuality helps writers to integrate the fictional work with other fictional and non-fictional works and to depict social and intellectual issues with an aesthetic and artistic way.
Bakathir relied mainly on the phenomenon of intertextuality in narrating the events of his novel and building its characters. He was very interested in religion and religious discourse. There are several types of intertextuality in his fiction, most notably the use of Qur’anic intertextuality and the Prophetic hadith in his narration. He drew words and expressions from these pure resources i.e. the Holy Qur’an and the Noble Hadith.
This research aims to study intertextuality in the novel "Sallama-tul-Qass" by Ali Ahmed Bakathir, and focuses on religious intertextuality and its impact on enriching the novel’s text and its chain of transmission. It comprised of and introduction, two chapters of date findings and analysis followed by conclusion. The introduction deals with the concepts of linguistic and idiomatic intertextuality, its types and forms. The first section attempts to reveal the external and internal manifestations of the Qur'anic intertextuality in the novel. The second section deals with the intertextuality of the hadith of the Prophet in the novel. The conclusion includes the most important findings.