A PSYCHOANALYTICAL STUDY OF MUSARRAT KALANCHVI’S SHORT STORIES

Abstract

Musarrat Kalanchvi, a significant figure in Saraiki fiction literature, has contributed immensely through her storytelling, addressing themes of gender, class struggle, and societal dynamics. Her collections of short stories, Uchi Dharti, Jhika Asmaan,  Dukhan Kanhan Diyaan Waliyan  and Thal Maro Da Painda, vividly portray the hardships and sufferings of women and men alike, revealing the complex interplay of social, cultural, and economic inequalities. Kalanchvi’s work offers a critique of both her indigenous feudal society and Western cultural influences, while remaining deeply rooted in Saraiki heritage. Her stories emphasize the essence of humanity, advocating for empathy, justice, and the welfare of others, making her voice both artistically profound and socially relevant. Through her nuanced exploration of the human condition, Kalanchvi challenges readers to reflect on the societal structures that perpetuate inequality and the potential for a more humane future.