"اُردو تنقید بیسویں صدی میں" (URDU CRITICISM IN 20TH CENTURY) Section Urdu Literature

Abstract

In the twentieth hundred years, Urdu artistic analysis developed altogether, expanding on the fundamental work of prior illuminating presences like Altaf Hussain Hali, Shibli Nomani, and Muhammad Hussain Azad, whose spearheading endeavors laid the preparation for basic talk in Urdu writing.

“Altaf Hussain Hali” frequently viewed as a harbinger of present-day Urdu scholarly analysis, presented another time of abstract investigation with his work "Muqaddama-e-Sher-o-Shayari." Hali's basic methodology underlined the moral and social obligations of writing, asking writers to move past conventional structures and subjects to resolve contemporary social issues۔

“Shibli Nomani”, a transcending figure in Urdu abstract analysis, carried an insightful thoroughness to the field with his basic life stories and scholarly narratives. His work "Sher-ul-Ajam," an extensive investigation of Persian verse, exhibited his strategic methodology, consolidating verifiable setting with scholarly examination.

“Muhammad Hussain Azad”, another trailblazer, fundamentally added to the improvement of Urdu scholarly analysis through his verifiable and basic works, for example, "Aab-e-Hayat." This original text offered a definite history of Urdu verse, commending its development and featuring the commitments of key writers.

Expanding on the establishments laid by Hali, Shibli, and Azad, twentieth century Urdu scholarly analysis developed into a dynamic and complex field. Pundits like “Sajjad Zaheer” and “Ahmed Ali” of the Dynamic Scholars' Development accentuated the socio-political job of writing, upholding for authenticity and civil rights. “Muhammad Hasan Askari” scrutinized innovation and investigated existential and postcolonial topics, offering nuanced viewpoints on social character and scholarly style. “Shamsur Rahman Faruqi” changed the comprehension of traditional and current Urdu writing, giving new hypothetical systems and stylish standards.

In this fantastic embroidery of the twentieth 100 years, Urdu scholarly analysis arises as not simply a talk but rather a work, blending with the rhythm of cultural motion and the throbbing heartbeat of developing scholarly articulations, making a wonderful heritage that proceeds to move and resound across borders.