اسد محمد خان کےافسانے: چند فنی لوازمات Asad Muhammad Khan's Short Stories: A Few Technical Qualities Section Urdu Literature

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Aftab Ahmed,Huma Nawaz,Muhammad Umar

Abstract

One of the great qualities of Asad Muhammad Khan is that he distills such meanings from history for human insight which helps to understand human nature on the one hand and on the other hand the appearance of the kings, the interested parties, the conspirators and those who adorn the jalsa and processions. The behind-the-scenes or parallelisms of motives make the hidden desires an intuitive revelation. Asad Muhammad Khan has written many important fictions like "Aik sanjeeda De-Tectio Story", "Ghari bhar Ki Rifaqat", "Narbada", "Raghoba aor Tarikh-e-Farishta" and "Nadi aor Aadmi". The title of the first mentioned is quite frivolous, but this action is consistent with Asad Muhammad Khan's concept of cursing Nastaliqism and seriousness, but it is ambition, deception, conspiracy, ruthlessness, awareness and ignorance in the game of power. It is a fiction based on the dramatization of all the elements of Aziz Ahmad's "Jab Aankhen Aahan Posh Howen" and "Khadang-e-Jasta" that uses history, imagination and contemporary consciousness to create insights. In the same way, in the "Ghari bhar Ki Rifaqat" (Burj-e-Khumoshan)", a typical saying in travel, there is a time when the horse takes over the reins of its rider. In which the point is highlighted that closeness to the conspirator's gift can also paint you in his own color. "Raghoba aor Tarikh-e-Ferishta" is an amazing legend in this regard, in which history, civilization, Sufism and human science have been combined with the creative imagination of the author of the story to create a memorable Urdu legend, whose atmosphere and creativity have been created. The language shows the individuality of Asad Muhammad Khan.

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How to Cite
Aftab Ahmed,Huma Nawaz,Muhammad Umar. (2024). اسد محمد خان کےافسانے: چند فنی لوازمات: Asad Muhammad Khan’s Short Stories: A Few Technical Qualities. Harf-O-Sukhan, 8(2), 309-325. Retrieved from https://harf-o-sukhan.com/index.php/Harf-o-sukhan/article/view/1395