اُردو میں تدوین کی بنیاد

Abstract

Research, criticism and redaction (editing) have basic importance in language and literature. Research and criticism is different from research and redaction but somehow they are mutually interlinked and indispensible for each other. Redaction has element of creativity. In practice, good editors are doing a very simple thing: they are recovering an author’s true potential from within a work where it has become confused with things which do not communicate. Effectively, they are converting non-communication to communication. A fundamental principle of working with authors is that communication success is formed by a writer’s imagination compounding with that of a reader to make a living text. An author creates a good data by first becoming confused with it and then withdrawing from it, then returns to produce a more orderly result. Authors therefore have the power of animating and directing ideas and bringing them into orderly, self-perpetuating shapes. To be able to use the information received through attempts to write so as to create and construct new texts can produce more and more powerful stories. The great authors have done this through the centuries, knowingly or not. This paper is an overview of the tradition of text redaction (editing) in Urdu and the prominent personalities of this field like Garsan Dittase,sir syed ahmad khan,Rashid Hassan and maulvi abdul haq etc..